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Sunday Worship 8:15 & 11:00 AM Child Care provided at 11:00 Service Sunday School: age 3 - Adult 9:30 - 10:45 AM |
Matthew Podd is the Music Director at Trinity Emmanuel. Matthew is in his second year at Eastman School of Music, seeking his Master’s Degree. Prior to coming to Eastman, Matthew graduated from Ithaca College as a Music Major in Composition and Keyboard. Matthew has worked with various musical theatre groups in conducting and playing. He has been a church organist/pianist, as well as a choir director, in various churches for the past ten years. Do you like to sing? Join us for Choir Practice on Thursdays at 7:00pm. All are welcome ! If you’ve attended worship at TELC in the last 8 months or so, you’ve probably noticed a diverse array of worship music. The talented members of our congregation and community have contributed all kinds of musical offerings. This Lenten season we will be exploring yet another new direction of worship for our Wednesday night services. As a congregation we will explore elements of Taize worship practices within the context of our own Lutheran traditions. I have included part of an article explaining Taize below, to brief those interested in learning about this tradition before experiencing it on Wednesdays during Lent. What is Taizé worship and how can it be used? What is "Taizé worship?" When the question is asked, there is often another question lurking behind it. Why do so many people (up to 7000 a week – primarily young people) go to Taizé to pray? Why is the Taizé prayer so attractive? The Taizé prayer is not simply a prayer form or model that can be adapted or inserted into any context with the same results. There are, however, characteristics of the Taizé prayer that can be useful in understanding its dynamics. The distinguishing marks include repetition and silence and the insertion of these into the liturgy. Repetition is not a new phenomenon nor unique to Taizé. The use of repetitive prayers is a long attested reality in the history of Christian spirituality and liturgy (for example, in the Jesus Prayer and the Rosary). What is unique to the MUSIC Director (cont.) prayer of Taizé is the adaptation of the repetitive form to simple musical lines and core biblical texts that can be sung by a whole assembly of various nationalities, languages, and denominations. The duration of repetitive songs (whether in canon form or ostinato) during prayer is not to be timed nor the number of repetitions calculated beforehand. The assembly is to immerse itself in the simple but profound harmonies and let itself be carried by this sung prayer. Silence is perhaps the second most important aspect of this particular prayer practice. In the middle of the prayer is a long period of silence (rather than a sermon or meditation). Maintaining silence is not a technique or method enabling some special communication with God. It is simply holding oneself in a presence and letting Christ, through the Holy Spirit, pray in us. There are not many short silences in a Taizé prayer rather the prayer moves along according to a certain rhythm through song, psalm and reading leading up to a longer silence (around 10 minutes) which then culminates in intercessory prayer and more song. I look forward to sharing this new experience with you, |
Worship and Music |